Kate. Dave. Owen. Family time.

In lieu of a regular engagement session, Kate and Dave asked if we could do more of a family session to include their big boy Owen.

My answer?

OBVS.

Saturday at the park with a good-lookin’ family? OKAY.

(photo-nerdding involving processing and gear at the end of the post!)

 

Little boy fall down go boom.

Owen’s Kate and Dave’s wedding is next month out in Sheffield, MA and will be the perfect storm of awesomeness: not only is it Kate, Dave and Owen, it’s the first wedding of the year with my main man Eric, AND the first of many weddings I’ll be shooting with my fave DJ Boy T-Rex!

This year is going to RULE.

Oh, as for the photo nerdding. I was recently very inspired my a couple of my favorite photographers, Nate and Jaclyn Kaiser of The Image is Found. I went to one of their shoot shops in December and walked out with my head swirling with inspiration, ideas and generalized frenzy. Of everything I took away from my time with them, I think the thing that stuck out for me the most, personally was the discussion about always putting forth new challenges for oneself–to try to break out of creative ruts and always do something new with every shoot. Nate recently shot a wedding in which he used one prime lens on manual focus at F11 all day. The results blew my EFFING MIND. So, feeling inspired and wanting to also challenge myself, I took this family shoot as an opportunity to try something new. I rented the 24mm F1.4 lens (which I’d never used) from Lens Pro to Go, and set my aperture to F11. I DO shoot on aperture priority usually (BIG WHOOP WANNA FIGHT ABOUT IT?!) so I stuck with that, and I wasn’t quite brave enough to try manual focus, so I stuck with AF for this one. But hey, new lens, and shooting stopped down to F11? I can safely say those were two very new ventures for this little photographer.

Shot with Canon 5DMII, Canon 24mm 1.4, F11, processed with VSCO film Fuji 160.

Blamo.

 

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ALBUMS ALBUMS ALBUMS

Look now.

I’m a modern lady and all.

But I do have some old school proclivities, especially when it comes to photography, and especially when it comes to the importance of experiencing your images in print.

I think this comes from having spent years of my life in the darkroom crafting prints; setting up my easel, focusing the enlarger, handling my 16×20 Illford Fiber Glossy paper carefully so I don’t crease it,  getting a big whiff of fixer up my nose as I pour it into the tray, sitting and scratching my head trying to decide if I should go up a half grade in filter, to which Nick Johnson always assured me no, I should not. But I always did it anyway.

Anyway, what?

Right. Well, what I’m talking about is prints. I know that these days everyone wants their images digitally and I totally dig that.  I also know that some people want to puchase prints through their photographers and others prefer to print them on their own, while others don’t want prints at all. And that’s all fine. There are some prosumer labs out there that do great work, and who am I to dictate how people print their images.

However. I will say this.

Nothing, and I mean NOTHING compares to the quality and beauty of a professionally made album. From the archival paper to the properly printed color, contrast and exposure, to the professional, durable binding, pro albums are the best. Hands down.

And for me? In a time when most people experience their images digitally, seeing my imagery printed perfectly, beautifully is so incredibly fulfilling and satisfying. It’s the final step in the process, not just from capturing the image to the printing of it, but in the process of working with my clients. From our first meeting over beers where we laugh and chat and get to know each other, all the way up to turning the pages of their wedding album.

So.

Albums. I offer two types of albums, in fact. The first, Finao, is an album bound with images printed on true photographic paper–ie, they’re real actual photo prints. The second, Vision Art, is an album bound with images printed on museum quality paper with pigment based ink. For the longest time I had my nose in the air about ink on paper prints, and didn’t offer any type of album of that nature–until I discovered Vision Art. I could sit here and try to explain in words how exquisite these books are, but suffice to say, it turned this skeptic into a believer.

So. For your viewing pleasure, first up is my Vision Art album, complete with custom made display box:

And next up is my Finao album. This book has hands down the most outrageous and awesome cover I’ve ever seen on a wedding album: It’s called the Erotika and it’s actually ink on aluminum. It has the most delicious tactile quality to it, as the highlights are blown out which reveals the bare metal underneath. SO COOL.

Pricing for the Vision Art album starts at $800 for a 9×9 and go up to 16×12. Finao pricing starts at $1000 for a 10×10 and go up to 12×12 with an INFINITY amount of cover options, from basic leathers to custom photo canvas to this wicked cool metal cover shown here.

If you want to experience these in person don’t be shy to give me a shout! You really just have to get your hands on them to understand how truly killer they are.

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Coming out of hiding.

Hello friends,

In the grand tradition of blog writing, I deliver to you the obligatory “OMG I HAVEN’T BLAWGGED FOREVA!!” post.

Never fear. I am in fact alive.

Been booking up some awesome people for 2012 and 2013 weddings.

Things are feeling good for this year.

Nay. Great.

New stuff to come soon:)

 

Love and martinis,

Abby

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